Musealising the present: the construction of the pandemic in The Covid Art Museum

Authors

  • Facundo Rolandi Facultad Latinoamericana de Ciencias Sociales (FLACSO)

DOI:

https://doi.org/10.54789/rihumso.21.10.20.2

Keywords:

Art, Museum, COVID-19, digital project, Instagram

Abstract

This paper aims to analyze the new experience that was, from a communicational, artistic, and political point of view, by The Covid Art Museum (@covidartmuseum), a digital museum that emerged from the pandemic generated by the COVID-19. In order to carry out this analysis, the pieces published in the museum during the period between its inauguration and its first year were considered, as well as a selection of journalistic and academic articles related to the subject. Although it is a novel museum project, it can be concluded that its creation - in the midst of an unprecedented health crisis that led to the closure of almost all physical museums worldwide - represented an interesting and necessary political act that aimed not only to preserve and promote the artistic heritage of humanity at the same time as generates a space for union and dialogue.

Author Biography

Facundo Rolandi, Facultad Latinoamericana de Ciencias Sociales (FLACSO)

Bachelor and Professor of Social Communications (UNLP). Undergoing Master of Political Science and Sociology at FLACSO. Joint Editor at IIPE (UNESCO).

Published

2021-11-15

How to Cite

Rolandi, F. (2021). Musealising the present: the construction of the pandemic in The Covid Art Museum. Journal of Research of the Department of Humanities and Social Sciences, (20), 25-40. https://doi.org/10.54789/rihumso.21.10.20.2

Issue

Section

Social Communication